Braving ‘The Storm That Battered Scotland’

The moment of calm after crossing the Lammermuir

The weather forecast predicted high winds for the day; but then they’d been predicting windy weather most days over the Christmas period, so we thought it would be like all the others, blowy and wet, and set off for the drive south with sandwiches and waterproofs in easy reach.

Perhaps I should have thought more about it when we saw rubbish skips in the middle of the road at the first set of traffic lights, or when we passed a tree fallen across the road bringing park railings with it, or when I felt the car pull away from my control, but the sky was blue, the sun so bright I needed my sunglasses, and the road ahead was free from traffic.

We were about 30 miles south of Edinburgh on the A1 when we were passed by a fire engine with its lights on, and I made the stupid remark ‘I hope that’s not heading for a road blocking incident’.

We came upon the police car parked diagonally across the carriageway a couple of miles further on.  A lorry had been blown over.  E, my passenger, got out of the car to ask the policeman if there was a diversionary route we could take.  I watched as she was buffeted across the road, unable to stand still while talking to the cop as they wobbled backwards and forwards in an awkward dance against the wind.

‘Go back, or go across to the other road south’ was the basic instruction, and what should have been a journey along the length of the A1 straight to London turned into a cross country adventure.

Maybe we should have turned back, but I suppose sometimes we overlook the power of nature, after all we live in a temperate climate…..don’t we?

On the smaller roads the power of the wind became immediately more evident.  Branches and debris littered the tarmac and in some places trees had been partially cleared to allow passage of one car at a time.  One way we were turned back by the team attempting to clear a large fall on the road, and then along another road we waited while a tractor opened a path for us.  I became uncomfortably aware of the trees bending and swaying on the wooded sections of the roads.

‘We will see it coming, if one’s going to fall on us, won’t we?’ E asked as I accelerated through a wood lined area.

By then it had become clear that our options were limited, and now probably excluded going back, so we carried on, finding an alternate route when another one was blocked.

This led us to the road across the Lammermuir Hills; a winding single track road across the top of the landscape used by Walter Scott as a backdrop for ‘The Bride of Lammermuir’.  The winter sun was so bright and so low in the sky that it was often hard to see where we were going, but at least the denuded hillsides were free from trees, and we had no company apart from the sheep.  As the area grew wilder and more remote, I had moments of worry that we were lost, but when the sun wasn’t directly in my eyes it was to my right, reassuring me that wherever we were going it was south.

I wish now I’d stopped to take photos it was so beautiful, but my focus was so much on the journey I didn’t.

Back on our intended route after our 90 minute diversion, we listened on the radio to the litany of road and rail closure due to the storm; our A1 blockage falling disappointingly low down on the list of those causing maximum disruption, realising we may have been a bit cavalier to ignore the risks presented by gusts of 100 miles per hour, from the ‘worst storm to hit Scotland for 13 years’, and by then, carefully evaluating the wobbling and straining of any lorry we saw, to assess the level of risk before passing it.

An Image Revamp and Regime Change

It's not too late for a Christmas tree photo, is it? Inside The Dome, Edinburgh, January 2

I’m not really one much for New Year’s resolutions, but the beginning of a new blogging year seemed to call out for a new look.  I hope you like it and weren’t put off, thinking you’d landed in the wrong place.  Same content; new photo, new font is all.  There didn’t seem to be any way to break you in gently; as soon as I’d clicked the ‘activate’ button, there it all was.  Out with the old and in with the new.  Rebranded, ta-da.

Don’t worry, I found making the style choices sufficiently stressful not to want to do it again in a hurry.

The photo on the new masthead was taken in Tonga in 1997; I’d like to think the shop is still there.

And now for regime change…… Even someone not prone to Annual Resolutions can occasionally take stock and decide to make a few adjustments, can’t they?

So, my  theme for 2012 is to waste less time.  I’m not going to confess to all the shameful ways I have managed to fritter away my time in the past, but let’s just sat that the BBC iPlayer has a lot to answer for.

The question of what is a waste of time and what is useful, nay, essential ‘doodling’ time is a fraught one.  To write I need downtime, time where I sit and stare out of the window or colour in the squares in my notebook, and I can always make a strong case for the argument that, whatever I’m doing consciously, my subconscious is busy working away at something useful, but, while I will continue to lie to you about this, I will endeavour to be honest with myself.

When I was working, a huge part of my job involved showing up, being there to show that the project/meeting/person was important enough for me to make the effort to be there, booted and spurred, with something to say.  The luxury I used to dream of was the leisure to be able to get up in the morning and to have a cup of coffee in my dressing gown without having to be alert to the time it was taking.  Sitting on the sofa with the morning coffee still gives me a tremendous feeling of luxury and enjoyment, so I’m not going to be giving that up, but this year, I have to get moving after the second cup.

They say it’s the small everyday changes that are easy to keep and which can make a difference……

Edinburgh and The New Year Games

There was a time when all the people who travelled to Edinburgh to enjoy the celebrated partying for Hogmanay would find themselves waking up to a city that was closed on 1 January, and which had no interest in entertaining them any further.  That miserable experience is now in the past as the City throws some fun and imaginative events for everyone in the afternoon of New Year’s Day.

First off, you have to decide your allegiance.  Are you an Uppie (from anywhere that you have decided is north of somewhere else) or a Doonie (the opposite)?  Once you’re affiliated and adorned with the appropriate badge, you can participate and earn tokens which will be collected and weighed at the end of the day to determine the winners. I was an Uppie for the day.

The Minataur banishes someone

The events were very popular, and well attended, so we were lucky to get into the hunt for the Minataur in the maze in St Giles Cathedral early.  At first we thought we might be embarrassed to be the only adults there without children as camouflage, but no-one was bothered either way.

The object of the adventure was to creep up on the Minataur without him seeing you move, and try to take a ribbon off his coat.  If he saw you move he would banish you.

Meanwhile a group of singers provided an echoing and atmospheric soundscape for the adventure, interspersed with spine tingling computer generated sounds.

The event showed an incredible degree of imagination, as well as practical organisation, managing the huge line of people and giving everyone a shot at the trial.  The Minataur stared and turned, athletic and graceful, and commanding when he caught out those not quick enough to freeze as he twirled around.

As I approached I felt surprisingly apprehensive, but determined to reach for a ribbon.  Success was rewarded with additional tokens and a ribbon to wear as a badge of success.

We were proud to be able to contribute our rewards for the good of the Uppies team.

Unfortunately it wasn’t enough to avert annihilation of the Uppies by the Doonies……

It was great to see the City of Edinburgh embrace a festive atmosphere on a day which in the past has sometimes been one of the most miserable, and to do it in a way that was full of new fun ideas, rather than simply opening up the shops and bars.  It was free and very light hearted and hugely popular on the day.

We even participated in the humming competition in Grassmarket until we were distracted by the pipers demonstrating the benefits of the well placed sporran.

Winter – A Photo

This is Edinburgh in the late afternoon on 1 January 2012.  I was walking along Princes Street, where the tidying up from the night before was already completed, and the crowd barriers were stacked away for another year.

The wind was cold on my face, but I there was the prospect of a warm fire and tea when I’d walked home.

It’s the early onset of darkness, the twinkly lights in the trees, the cold air, the cosiness of my coat and the inviting warmth of inside that makes this Winter.

Better to be an Interesting Gallery or a Good Tea Room?

Landform by Charles Jencks

I think I may have visited the Scottish National Gallery of Modern Art on a bad day.  Maybe there were no signs because they’re redoing them, and only mostly closed rooms because one exhibition has just finished and they’re rearranging the place for the next one, but it felt like a sad and rather dreary place last week.

It’s spread over two buildings on opposite sides of a road; both look substantial and impressive on the outside, in that patrician Edinburgh way, and last week both  had the feel of a rather neglected secondary school on the inside, showing a disappointing amount of shiny blue linoleum in the stairwells.

I found the artworks available to view rather disappointing, although the installation of Eduardo Paolozzi’s studio is fascinating if only to wonder at how a person could work in such a cluttered environment with so many heads looking down on you.

I did enjoy ‘Landform’ which is an area of lake and contoured and landscaped grass in front of one of the buildings – but only from a distance.  The description in the  museum materials extols its virtues as a space with which the visitors can interact and explore, as well as one which can be used for performance or strolling.  In harmony with the general theme of the day, it was closed to public access when I visited.

But on the upside, the tea room is very pleasant, and we had good tea, coffee and proper home-made shortbread and scones; and my friend and I both found something to buy in the shop.

Tell a Community by its Shops

A couple of days ago I spent part of the morning strolling around the Stockbridge area of Edinburgh.  It’s not a part of the city with which I’m that familiar, so I spent the time thinking about what sort of place it might be.  The question came to mind primarily because the collection of shops in the high street was so remarkable.

I had my choice of both chain and independent coffee shops, many adorned with hand written chalk boards promising delicacies from far flung places on a regular basis; kitchen design shops leading me to believe that every work surface is at least granite, and that I’d not find anything but a hand crafted door on any kitchen cupboard nearby; and the smartest most elegant looking charity shops I’ve ever seen.

I’m not quite sure where I might have bought a newspaper or an ordinary non-organic, non hand ground loaf of bread, although I’m sure there must have been a mini supermarket or newsagent hiding behind one of the shop fronts in co-ordinated Farrow and Ball ‘heritage’ colours.

This is clearly a prosperous area of the city, as far removed from the tourist tartan tat of The Royal Mile as it is from the hard-nosed hard drinking environs of a ‘Rebus’ novel, where notwithstanding how many remodelled hi-tech kitchens with integrated appliances have been installed, there remains an insatiable appetite for a coffee in a shop.

Or perhaps it is the perpetual upgrading and remodelling behind the elegant facades which explains the make up of the street.  The home is cleared out, and all the old bits and pieces are dropped off at the charity shop, before the builders move in to revamp the house, and while they’re working, drinking tea and whistling along to the radio, the lady of the house is out, avoiding the noise and mess, chatting over a coffee and a piece of shortbread……

Hmm….. But that doesn’t account for who is buying the stuff in the charity shops…..

What do you think?

Different Shades of Choral Singing – Manipulation or Inspiration?

There seems to be a lot of Choirs out and about in the zeitgeist at the moment.  Maybe it’s just because once I’ve noticed one, I see them everywhere.

Last week I wrote about the impact that the first episode of the new series of ‘The Choir‘ on BBC had on me, and indeed I found the second equally affecting;  there is such a feeling of genuine enthusiasm and belief in the power of singing together.

But just as I am enthused and moved by the stories told in that programme, I am repelled by the attempts to flog me stuff in adverts filled with groups of people singing.  There’s one for a bank, one for IT education; there are car ads, and dairy spreads.  Enough! I shout at the television whenever they appear.

I suppose that’s how advertising works though, isn’t it?  Pick up on something that is happening organically and then exploit it to piggyback on the positive connotations in the hope that we won’t notice that it’s all just junk, and to turn what had once been interesting and inspiring into so much commercial dust.

So let’s enjoy the real thing before it’s degraded beyond repair.

On Saturday evening I went to part of a performance by Edinburgh Academy choir, in which one of the children with whom I’m staying this week participates.  A large number of children, ranging from rather dishevelled little boys, wearing school shirts clearly bought for growth, to young women in eye-liner and carefully styled hair, joined together to give a nuanced and engaging performance of Gershwin songs.  From my vantage point to the side of the choir, in the circular venue, I had a perfect view of the teacher conducting.  So swept along by his energy and focussed control, it was hard to resist the temptation to join in.

I’ve subsequently learned that as well as this full, ‘anyone can join in’ choir, the school also has a smaller selected chamber group, who are the reigning champions of a BBC school choir competition.

Lady Chatterley at the Church Fair

What you'd expect on the book stall

I’m in Edinburgh this week, with friends.  On Saturday afternoon we did our local social duty by attending the Church Christmas Fair.  Its success could have been its undoing, as people crowded into the hall to browse the slightly broken toys, the jams and local crafts, and to buy raffle tickets for a hamper or one of the many idiosyncratic tombola prizes, the heat was almost overwhelming.  It could have been from the pancake stall, surrounded by a grey fug of warm air, or simply the effect of scores or well wrapped bodies, or the bonhomie of community spirit.

The queue to secure a table for afternoon tea proved that there is a still a strong appetite for a proper cup of tea and a home made cake for £1.50 amongst a certain section of any population.  In the crush, as a stranger, I was clearly often in the way, and felt the sharp end of a couple of elbows delivered with perfect deniability by small grey haired old ladies in neat car coats.

I progressed up the room to avoid being yet more irritating until I was at the end by the book stall, and had enough space to turn around.  Although I love books, second hand book stalls at jumble sales don’t really do much for me.  I browse in the hope of finding something interesting, but am usually faced with a somewhat dispiriting collection of candy pink romances and dog eared horror titles.

This selection was no exception apart from there, lurking in between something lime green and about shopping and a Len Deighton was a copy of ‘Lady Chatterley’s Lover’ in the Penguin edition with an orange spine.  A book banned until a sensational trial in the 1960s, now on sale in the Church of Scotland hall!  What would the erstwhile upholders of moral decency think?

When I was a teenager the arguments about what it was appropriate and suitable to publish in books and magazines, to show on television and to write about in song lyrics, still raged.  Mary Whitehouse, self appointed guardian of the standards of those determined to be offended, frequently appeared on radio and television criticising the output of UK broadcasters.  I grew up with an awareness that there were certain things that I wasn’t supposed to be able to access.  It was puzzling, and therefore inevitably, I searched out things which were allegedly beyond the pale, and which I usually found were rather unsatisfactory when I did find them.

Now that I could, if I wanted, have access to all manner of potentially offensive things on the internet or beyond, I find that I often have to close my eyes to excessive and gruesome violence in mainstream films with a 15 classification.  That within my lifetime we can have moved from banning Lady Chatterley to it being big business to show a human being eviscerated on screen or in a video game is a peculiar thing to ponder at a church fete.

When I commented to the gentleman running the book stall that I was surprised to see the book for sale, he nodded at me and said ‘ There was indeed a bit of a debate about it.  But I said the same thing I said to my mother when she ripped up the copy I bought as soon as the Court case was over – it’s art.’

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