Music and Movement

IMG_3008Even if we didn’t actually have any music, this week’s class was about capturing movement.  We had a model, and life drawing, as I expect I’ve said before, is my least favourite aspect of this learning to draw adventure.

But if we do have to sketch a person, it’s best for me if we have to do it quickly, because if we’ve only got three/five/ten minutes, and the model isn’t even sitting still, how can we expect anything other than to make a bit of a mess?  It’s when I’m left with more time and a requirement that it all be in proportion that it all tends to go really wrong…

So these are the best of the several rapid sketches I managed at yesterday’s class (and no, although the model was very slender, he didn’t have spindly legs like that – he’d never have been able to stand up on those calves….)IMG_3010

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More Enthusiasm Than Talent

IMG_2977I’m really not getting any better at this drawing game, but I keep going back to the classes.  Yesterday was all about tone, and lots and lots of charcoal. some of which stayed on the paper, other, inevitably, ended up on my hands and face.

Life drawing is still my least favourite activity of the process of learning to draw, and I still really struggle with tone, in seeing all the gradations of light and shade, let alone replicating them on the page.

This was a 30 minute pose.  First we had to cover the sheet of paper with a dark layer of charcoal, and then try to create a drawing of the model by using a putty rubber only, so taking away rather than putting on; and once it was gone it was gone.  It looks awful, I know, but it’s the best thing I’ve managed to date using that method.

We’re drawing outside again next week, a much more congenial prospect for me.

Luca Cutrufelli at Bendana Pinel Art Contemporain

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La Palude, on the left

There are lots of small commercial galleries in the Marais district of Paris, but it just so happened that last weekend many of them had rented themselves out for pop up clothes shops for the city’s fashion week.  Of course, it wasn’t immediately apparent.  What after all is the essential difference between the sort of shop which displays four single shoes suspended from the ceiling on fishing wire, and a gallery selling sculpture made from found objects? so yes, we did have that conversation, ‘Is it art, or is it actually a shoe shop?’

We did find artwork in the Bendana Pinel gallery, by Luca Cutrufelli.  We were drawn in through the door by the stark monochrome of the interior.  Deep black, nearly matt charcoal on paper works with hints of white, suggesting the trace of something passing leaving a light trail behind it.  From my own inexpert attempts to use charcoal in drawing class, I know how difficult it must be to achieve the intensity and smoothness of the black surface, a sort of absolute darkness, leavened by the small areas of absence.  The name ‘La Palude’ meaning marsh in Italian, echoes Le Marais, the equivalent in French, and also the name of the area suggesting that the work might have been inspired by the location of the exhibition.

I liked the contrasts both explicit and implicit in the installation of black obsidian, a solid block at the bottom of a glass tank topped with a floating layer of off white pumice; the two rock types, the opposite of each other in both colour and density.  It was hard to resist the temptation to shake the tank to see if it was filled with water or some kind of solid gel, but the description did say water…..  The juxtaposition was a clever way to make you think about the different textures and nature of the materials used, and to subvert the assumption that every rock will sink like a stone.

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